The new device combines both of these effects into one device together with feature upgrades, and users will be able to toggle ping pong mode from a button on the front panel along with Jump, Fade and Repitch modes.Īutomation envelopes are also getting a few small but significant improvements in Live 10. It looks a little like the middle ground between the simple EQ Three and the more complex EQ Eight, combining direct control over high, mid and low frequencies alongside a compact frequency display.ĭelay is a more streamlined version of Live’s two existing delay plugins, Simple Delay and Ping Pong Delay. Channel EQ is described as a “flexible and simple EQ with curves and gain ranges suitable for a variety of audio material” with filter shape that adapts to control settings for “musical results”. Live 10.1 is getting two new audio effects: Channel EQ and Delay. Loading samples into Wavetable is as easy as dragging and dropping sounds from Live’s sample browser.
Currently, users are limited to making wavetable patches using the samples already in the synth, but 10.1’s sample import function will bring the synth closer in functionality to other wavetable VSTs such as Serum. Top of the list of features to be added is the option for users to create their own wavetables using Live’s latest synth, Wavetable.
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